翻译/校对：太凉
导演：安杰伊·瓦伊达
残影余像 AFTERIMAGE
微博：杀手太凉
哦！我们迟到的华沙人来了！ Here comes our late Varsovian!
不好意思，请问斯特泽敏斯基教授在哪？ Excuse me, where can I find Professor Strzeminski?
斯特泽敏斯基教授… Professor Strzeminski...
啊！在那！ Ah... there!
他看见你了，他马上就会过来这边。 He's seen you, he'll be right here.
但是他要怎么过来呢？ But how will he get here?
像这样！ Like this!
疯子！ Madman!
我的上帝，你还好吗？ My god, are you alright?
你不准备帮助一下这个瘸子吗？ Aren't you going to help a cripple?
抱歉，我… I'm sorry. I...
我是弗拉迪斯瓦夫·斯特泽敏斯基。我很好。 I am Wladyslaw Strzeminski and I'm alright.
欢迎来到罗兹美术学校的写生旅行。 Welcome to the Lodz School of Fine Arts field trip.
因为你，我都失控了，教授。 I've gone off the rails because of you, sir.
我知道，贾兹雅，是我的错。 I know, Jadwiga, it's my fault.
- 你叫什么名字？- 汉娜。 - What is your name? - Hanna.
汉娜小姐。 Miss Hanna.
影像，必须是你从周围吸收而来的， The image has to be what you absorb
从这儿… from this...
或从这儿。 from this.
当我们凝视一件物体时，在眼底会形成它的倒影。 When we gaze at an object, we get its reflection in our eye.
当我们停止看它 When we stop looking at it
并将视线移到别处时， and move our gaze elsewhere
那个物件的倒影会残留在我们眼中。 an afterimage of the object remains in the eye.
那是与该物体形状相同但互为负色的残影。 A trace of the object with the same shape but the opposite colour.
俗称“后像”。 An afterimage.
后像， Afterimages...
是看向物体的眼睛在内部形成的颜色。 are the colours of the inside of the eye which looks at an object.
因为一个人只能确切地看到自己知晓的事物。 Because a person really only sees what he is aware of.
他是怎么失去手臂和腿的？ How did he lose his arm and leg?
他没说过， He's never told us,
但最好别问。 but it's better not to ask.
1948年12月 December 1948
波兰统一工人党第一届代表大会刚刚闭幕。 The first Congress of the Polish United Workers' Party has just closed.
我们将执行大会的重要决议。 We shall implement the momentous resolutions of the Congress.
我们将为他们的实现而战， We will fight for their realisation
并动员周围的群众。 and mobilise the masses around them.
带领波兰走向社会主义 Bringing Poland closer to socialism
是党员的神圣职责。 is the sacred duty of a Party member.
同志们，毫无疑问， Comrades, there's no doubt
我们可以团结广大的人民群众， that to achieve the great tasks set by the Congress
来实现大会设立的伟大任务。 we can unite the broadest masses of the people.
波兰民族万岁！ Long live the Polish nation.
英雄的工人阶级万岁！ Long live its heroic working class.
波兰统一工人党万岁！ Long live the Polish United Workers' Party.
看！ Look!
我的上帝啊！ Jesus Christ!
你干了什么？ What have you done?
我住在这儿，我是个画家。 I live here, I'm a painter.
你得跟我们走一趟。 You're coming with us.
站起来！ Stand up!
姓名。 Name.
斯特泽敏斯基。 Strzeminski.
- 名字？- 弗拉迪斯瓦夫。 - First name? - Wladyslaw.
- 生日和出生地？- 1893年11月21日，敏斯克。 - Date and place of birth? - 21 November 1893, in Minsk.
苏联公民。 A Soviet citizen.
是波兰公民。 A Polish citizen.
职业？ Profession?
画家。 Painter.
是艺术家。 Artist.
工作地点？ Place of work?
在罗兹国立美术高中 The State High School of Fine Arts in Lodz,
担任艺术史讲师。 lecturer in art history.
那么，斯特泽敏斯基公民。 So, citizen Strzeminski...
你将前往安全办公室，天知道之后会让你去哪儿。 You'll have a trip to the Security Office. And from there God knows where.
所以现在是上帝在管安全办公室？ So now God rules at the Security Office?
早上好，教授。 Good morning, Professor.
这是我的办公室，请进。 My office, please.
那么… Well...
我们对您有点意见。 We have a problem with you.
对我？ With me?
对你。 With you.
教授。艺术家。 Professor, artist.
你完全知道我们国家在朝着新方向发展， You know full well that the country is going in a new direction
而你与之对立。 and you're opposed to it.
如果是在沙俄，你将因此事被放逐到西伯利亚。 In tsarist Russia, you'd be packed off to Siberia for doing that.
但我们不能这么做。 But we can't do that.
很不幸，我们要进行诫训。 Unfortunately, we have to educate.
我不是与你们对立，我只是对艺术有不同的见解。 I'm not against you, I just have different views about art.
让我给你读一读我手里的材料。 Let me read out to you something I have here.
好的，我们这里有什么？ Right, what do we have here?
有什么呢？ What do we have here?
就是这个。 This is it.
「政治和艺术的界限已经消失， The line between politics and art has disappeared
因为事实证明，这两方面的罪行都是来自同一邪恶集团的垄断。 as it turned out that the villainy in both is the monopoly of the same evil group.
让我们毫不留情地消灭他们。 Let's liquidate them without mercy,
不仅因为他们占据了艺术和出版业的殿堂， not just because they took over the palaces of art and the press,
更因他们的一切行为都阻碍了公平公正， but above all because they blocked fairness with all of their actions,
因为他们不仅在迫害艺术，更是在迫害人民。 because they're destroying not only the arts, but above all the man.
这就是为何画家、诗人和作家已不再仅仅只是艺术家。 That's why painters, poets and writers have already ceased to be just artists.
不管你们意愿如何，你们已经成为了 You have become, whether you wanted to or not,
政治运动中的士兵…是的，联合政治阵线的士兵。」 soldiers on the political... yes, on the political part of the joint front.
您知道这个吗？ Do you recognize this?
这是我写的。 I wrote it.
我想，是在1934年的春天。 In autumn 1934, I think.
这与你们无关，这是关于“救世运动”的。 It's not about you, it's about the Sanation.
好吧，如果是1934年，那的确与我们无关。 Well, if it was 1934 for sure it's not about us.
但那时我党已在苏联成立，所以它有可能与我们有关。 Although we were in the USSR then, so it could have been about us.
斯特泽敏斯基先生， Mister Strzeminski...
你有天赋，你对文字很有一套，我自己都不能写的更好了。 you have talent, you have a way with words, I couldn't write it better myself.
所以你为什么不愿意参与变化， So why do you not want to join the changes
反而要破坏我们的思想路线呢？ instead of sabotaging our ideological line?
毕竟，你曾经也是革命的核心人物。那现在呢？ After all, you used to be at the heart of the revolution and now what?
斯特泽敏斯基先生， Mister Strzeminski...
你不是傻瓜。 You're not stupid.
相信我，我也不是傻瓜。 But believe me, I'm not stupid either.
你一直站在岔路口， You're standing at a crossroads
但你再也不能了。 and you can't stand here any longer.
无论你选了哪一条路， Whichever path you choose...
都是你咎由自取的命运。 you bring that fate upon yourself.
弗拉迪斯瓦夫·斯特泽敏斯基和卡塔尔齐纳·科布罗是先锋派艺术家。 Wladyslaw Strzeminski and Katarzyna Kobro are avant-garde artists.
在圣彼得堡，他曾与世界闻名的杰出艺术家马列维奇共事。 In St. Petersburg, he worked with Malevich, an outstanding, world-famous artist,
在莫斯科，革命之后，他参与了展览。 in Moscow, after the revolution, he took part in exhibitions.
回到波兰后，他在罗兹定居，在这里，他与亨利克·斯塔泽夫斯基、 After returning to Poland, he settled in Lodz, where he, Henryk Stazewski,
著名诗人朱利安·普齐博斯和其他艺术家一起建立了A.R.组织—— the well-known poet Julian Przybos and others formed the a. r. group,
即革命艺术家组织。 which stands for Revolutionary Artists.
在这个房间里，大家可以欣赏到斯特泽敏斯基先生这个阶段的作品， In this room you can see the artist's pieces from this period of his work...
斯特泽敏斯基也设计了这间屋子——即新造型主义之屋。 Strzeminski also designed this room, called the Neoplastic Room.
这里大家可以看到卡塔尔齐纳·科布罗创作的与众不同的雕塑， Here you can see unusual sculptures by Katarzyna Kobro,
她是运用无限空间概念的创作者， the creator of the concept of infinite space,
请注意这些雕塑与现代建筑之间的关系… please note the relationship between these sculptures and modern architecture...
你们可以靠近点，但请不要触摸展品。 You may come closer, just don't touch the exhibits.
我们继续参观。 Let's move on, please.
妮卡！ Nika!
- 斯特泽敏斯基和科布罗是你的父母吗？- 是的。 - Are Strzeminski and Kobro your parents? - Yes, they are.
但他们分开了。 But they are not together.
早安。 Good morning.
这里为什么没有人？ And why is it so empty here?
- 因为是星期三。- 我知道星期三，那又怎样？ - It's Wednesday. - I know it's Wednesday, so what?
他们都在报告厅 They are all in the hall
听斯特泽敏斯基教授的课。 for Professor Strzeminski's lecture.
您有事吗？ And you?
我在找院长办公室。 I'm looking for the dean's office.
- 那儿，你的右手边。- 谢谢你。 - There, on your right. - Thank you.
看，不是个单一的、不明确的、抽象的行为， Seeing is not a single, unspecified, abstract act,
而是一个动作，一个在特定时刻观察的过程。 but an action, a process of viewing at a certain moment.
自然自有其可以吸引更多注意力的“兴趣中心”。 Nature has its own "centres of interest" that draw greater attention.
我们看着它，并从一个兴趣点转到另一个。 We look at it while moving from one point of interest to another.
当我们注视梵高的风景画时，我们看到相同又重复的视觉分布。 When we gaze at a Van Gogh landscape, we see the identical, repeated divisions.
我们怎样能像梵高的所画的那样去观察自然呢？ How should we look at nature to see it as it was painted by Van Gogh?
他是以一种平常、常规、生理意义上的凝视去观察自然的吗？ And was he looking at it with a normal, natural, physiological gaze?
用我们平时的那种观察？ The look that we use?
当我们把投向风景画的目光画出来时，答案自然就来了。 The answer comes when we draw our glances projected onto the landscape.
沿地平线的四道目光都聚焦在各自的兴趣中心。 Four glances along the horizon, each focusing on its own centre of interest.
这样，重复相同的视觉分布就出现在画面中， So the repeated identical divisions show up in the picture
这并非因为“形式主义者”梵高以未知的主观理由构想出来的， not because the "formalist" Van Gogh wished it for unknown subjective reasons
而是因为他精确地还原了观察风景的过程—— but because he accurately reproduced the process of viewing the landscape
四道平行的、连续的被引导的目光。 with the four parallel, sequentially directed glances.
同志们，同事们！ Comrades, colleagues!
我来提醒大家，今天我们将接待文化部部长。 Let me remind you that today we're hosting the Minister of Culture.
这是课堂。 This is a lecture.
请你离开，把门关上！ Please leave, close the door!
在部长同志的讲话后会有一个会议， After the speech of Comrade Minister there will be a meeting
以及一个关于我们学校和艺术界的讨论。 and a debate about our school and our artistic circles.
请立即下课并开始准备， Please stop this class immediately
一个小时后我们将接待我们尊敬的客人！ and prepare the room because in one hour we will be hosting our honourable guest!
所有人强制参加。 Attendance is compulsory.
级长将会检查出席情况。 The prefects will check attendance.
而这，是梵高的现实主义的体现。 And this is the realism of Van Gogh.
一个有生命的、物质存在的人，一个不以抽象方式去看、 The realism of a living material man, a man who sees not in the abstract,
而通过身体上有生命的、物质存在的有机体去看的人的现实主义。 but through the living material organism of his physiological body.
并非精神上的对经验的感知，而是生理上的对经历的接受。 Not a spiritual reception of experiences, but a physiological one.
谢谢大家。 Thank you.
什么风把艺术博物馆馆长吹来了？ And what brings the director of the Art Museum here?
怎么？你不知道？ Why? You don't know?
每周三我都来听斯特泽敏斯基教授的精彩绝伦的课。 On Wednesdays I listen to the great lectures of Professor Strzeminski.
我不知道他还能在这里当教授多久。 I don't know how long he will remain a professor here.
教授！ Professor!
- 华沙人说她会打字。- 我兼职做打字员，每次200个字。 - The Varsovian says she can type. - I moonlighted as a typist, 200 words.
真的？除此之外你还有什么本事？ Really? And what else can you do?
我可以把“视觉理论”打出来，如果你帮忙口述的话只需要几天时间。 I can type up the "Theory of Vision", it'll take me just a few days if you dictate,
- 或者只要一周，如果我能有文稿… - 有什么打什么… - or a week, if I do it from the notes... - Let's type up what there is...
办公室有一台老的德国造打字机， The office has an old German typewriter,
他们有新的捷克造打字机老，但我跟那些秘书关系不好… they've got new Czech ones, but I'm not in with the secretaries...
我和她们关系好。我们试着跟她们沟通。 I am. We'll try talking with them.
那就罗曼和我去。 So Roman and I will go.
教授，我们今晚能去找你吗？ Professor, can we come round tonight?
当然可以，欢迎你们每个人。 Of course, you're all welcome.
别夸张，校长。 Rector, please don't exaggerate.
斯特泽敏斯基教授为这个城市作出了巨大贡献。 Professor Strzeminski has provided great service for this city.
他创建了波兰的第一座、欧洲的第二座现代艺术博物馆。 He created the first museum of modern art in Poland and the second in Europe.
- 他的地位是不可撼动的。- 你这样认为？ - His position is unassailable. - You think so?
你会参加部长举行的会议吗？ Will you stay for the meeting with the minister?
- 我会的。- 非常感谢您。 - I will. - Thank you very much.
你在这儿真是太好了。 It's very good that you're here.
在对文化的重要问题做出决定的场合，我们都有责任出席。 It is our duty to be present wherever issues important for culture are decided.
- 恐怕我们会被戴上手铐。- 不要说这样的话。 - I'm afraid we'll be handcuffed. - Don't come out with anything like that.
女士们先生们，今天是伟大的一天。 Ladies and gentlemen, today is a great day.
请允许我热情欢迎我们尊敬的文化部部长。 I warmly welcome our esteemed Minister of Culture.
国家有权力对艺术家提出要求， The nation has the right to place its demands on artists
而最基础的要求之一就是艺术作品的深层内涵， and one of the most basic demands is that the deeper layers of a work of art,
它的目的和意图应该满足人民群众的需要， its objective, its intentions should meet the needs of the people,
而不是在他们需要对胜利的热情和信仰时，引起怀疑， not to raise doubts, when what they need is enthusiasm, belief in victory,
也不是在人们想要生存和劳动时，去美化忧郁。 not to apotheosise depression, when the people want to live and work.
我党在创作界的下一步战略 The next steps in the Party's offensive in the creative circles
将从以下要求出发： are set out by the following demands:
「关于社会主义者的现实主义艺术， of socialist realism in art,
关于打击“西方文化中的世界主义和奴性意识”， of the fight against "cosmopolitanism and servility to Western culture"
苏联艺术家的成就和他们与群众的紧密联系并用。」 with the use of the achievements of Soviet artists and their ties with the masses.
我党将捍卫社会主义者的现实主义 The Party will defend socialist realism
尽管这可能会导致刻板教条， despite the fact that it can cause schematicism,
但这不会给我们带来麻烦。 but that should not trouble us.
我们需要反抗缺乏意识形态的形式主义和愤世嫉俗的艺术， We need to revolt against formalistic and cynical art which lacks ideology,
反对腐朽的资本主义艺术，以及反对美国的世界主义。 against decadent capitalist art, and against American cosmopolitanism.
我再着重强调一遍： I therefore repeat with all my might:
「宣扬缺乏意识形态的艺术是工人阶级的敌人！」 Art that proclaims a lack of ideology is the enemy of the working man!
先生，我们是否可以先提一个问题：什么是艺术品？ Minister, may we first pose the question: what is a work of art?
对我而言，一件艺术品是关于一种特定的形式，而不是单纯的现实主义。 For me, a work of art is about a specific form rather than flat realism.
我总是说： I've always said
「我会为最适合特定时期的艺术模型而奋斗， I'd fight for the model of art which is most suitable for a given period,
因为艺术是形式的实验室。」 because art is a laboratory of forms.
在艺术中，真正重要的是那些为新形式开拓道路的。 In art, the only ones who matter are those who pave the way for new forms.
新兴艺术应该因它的超前性而非实用性获得尊重。 New art should demand respect not for its usefulness but for its superiority.
而我发现，现在您们试图取消艺术与政治的边界， But I see that now you seek to lose the boundary between art and politics,
而更糟的是，这已经成为了整个群体的兴趣意向。 and what's worse it has become the interest of one group.
谢谢。 Thank you.
你今天可晚得多，教授。 Oh, today you're much later, Professor.
挪一挪。 Move it.
- 给。- 这是上个月的钱。 - Here you are. - There's the money for last month.
- 祝您好胃口。- 谢谢。 - Bon Appetit. - Thank you.
对于以下观点：「斯特泽敏斯基在学校散布反动言论， If anyone disagrees with this statement "Strzeminski spreads ferment at the school,
破坏其他讲师威信， he undermines the authority of other lecturers,
并在艺术应当鼓励社会动员时宣扬纯粹的形式主义。」 and promotes pure formalism at a time when art is supposed to stimulate society into action",
不赞同的人请举手。 please raise your hands.
没有人。在这种情况下，我提议对斯特泽敏斯基教授定罪， No-one. In that case, I propose the motion of condemnation of Professor Strzeminski
请大家表决。同意的请举手。 and I put it to a vote. Who's in favour?
同志们，我指望着你们的责任心。 I'm counting on your responsibility, comrades.
我认为我们需要更多时间考虑。 I think we need more time to think.
校长，我很抱歉。 I am very sorry Rector, but...
但作为他的学生，我了解他为学生付出了多少。 as his student, I know how much he devotes to his students.
这是关于他的思想立场。 This is about his ideological stance.
我们为社会主义的现实主义斗争的总路线 Our general line of fighting for socialist realism
是由以列宁和斯大林的话为代表的伟大的马克思主义经典概述出来的。 was outlined by the great Marxist classics: by Lenin, and by Stalin's words.
是的，当然，我知道，但我仍有我个人的怀疑。 Yes, of course I understand that, but I still have my doubts.
在这个房间里，聚集着老师和党员们。 In this room are gathered teachers and also members of the Party.
同志，你为什么不对我们集体的经验更有信心点呢？ Comrade, why don't you show more confidence in our collective experience?
我建议你改变你的立场。 I'd advise you to change your position.
再次表决。谁支持定罪？ I repeat the vote. Who is in favour?
- 罗曼！- 你去哪儿？ - Roman! - Where are you going?
当风暴袭来之时 When the storm winds blow
无人心怀恐惧 No-one has fear in their hearts
因为我们知道斯大林…不对… Because we know that Stalin... No...
因为我们知道，斯大林 Because we know that Stalin...
正满怀希望地 is watching us with hope
从克里姆林宫注视我们 From the Kremlin.
你抽太多烟了。 You smoke too much.
黎明随着他的微笑降临 Dawn breaks with His smile
一切的担忧都消失殆尽 All worries disappear
我们欣喜地迈向伟大的事迹 We happily move to great deeds
人民， The people,
工人和农民。 workers and peasants.
爸爸，我在学校没有地方可以学这个。 Dad, I don't have any place at school to learn this.
哦对了。 Oh, and there's this.
- 这是什么？- 处方。 - What is it? - A prescription.
- 开给你的？- 不，给妈妈的。 - For you? - No, for mom.
钱在我大衣口袋里。你拿吧。 The money's in my coat pocket. Take it.
全拿走？ All of it?
再见。 Bye-bye.
你们为什么不进去？ Why don't you go in?
【课程暂停】 [Class cancelled]
- 为什么我的课暂停了？- 我们收到一封关于您的信。 - Why are my classes cancelled? - We received a letter about you.
为什么我的课暂停了？ Why are my classes canceled?
根据与员工签订的雇佣合同第6段， In accordance with paragraph 6 of the employment contracts with staff,
我要求立即终止与斯特泽敏斯基教授的合同。 I order the immediate termination of the contract with Professor Strzeminski
从1950年3月31日起施行。 with effect from 31 March 1950.
同时，斯特泽敏斯基教授将带薪离职， At the same time, Professor Strzeminski will be granted paid leave
直至有效期截止。 for the period up to the date of termination.
艺术家离职？ Artists have leave?
带薪？ Paid?
这是部长同志的决定。 That is the decision of Comrade Minister.
我们想继续跟你学习，不是在学校。 We'd like to continue studies with you, not in the school.
如果你们离开学校，谁给你们发证书？ Who will give you your papers if you leave the school?
这学校是个好地方。是我和别人联合建立的。 The school is a good place. I co-founded it.
现在发生的事不过是历史中的一阵风。 What is happening now is just the wind of history.
总将平息，总将过去。 It will calm down and pass.
别做傻事。 Don't do anything stupid.
好吧，但现在在发生什么，教授？ Ok, but what happens now, Professor?
发生什么？我不知道。 What? I do not know.
新的时代整要来临，一切都将物是人非。 New times are coming. Nothing will be like it was before.
- 再见，教授。- 再见。 - Goodbye, Professor. - Goodbye.
他说起话来像先知一样。 He spoke like a prophet.
- 你恋爱了，所以对世界视而不见。- 他才刚将我对世界的眼睛打开。 - You're so in love, you're blind to the world. - He's just opened my eyes to it.
汉娜呀，汉娜… Hania, Hania...
放轻松，我不会打扰你的。 Relax, I won't disturb you.
你抽太多烟了。 You smoke too much.
我不饿。 I am not hungry.
爸爸！ Oh, dad!
我亲手做的这些煎饼。 I made these pancakes.
不是妈妈做的。 Not mom.
一个冬天，她拉着你滑雪橇。 One winter she pulled you on a sledge.
你记得那个？ You remember that?
你那时四…五岁吧。 You were four... five then.
当时是冬天真是太好了。 It's good it was winter.
她在冰上拉着雪橇。 She pulled the sledge across the ice.
你坐着，你的拐杖放在雪橇上。 You were sitting, and your crutches lay on the sledge.
然后她太累了，没有力气跟我一起滑下山了。 Then she was so tired she had no strength to sledge downhill with me.
拿走。 Take it away.
妈妈过去会帮你把这缝好。 Mum used to sew this up for you.
现在呢？ And now?
这是什么信？ What is that letter?
那个？ That one?
我的判决书。 My sentence.
他们把你解雇了。 They fired you from work.
弗拉迪斯瓦夫·斯特泽敏斯基是20世纪最重要的波兰艺术家。 Wladyslaw Strzeminski is the most important Polish artist of the 20th century.
你们的诗人有太过忘形和夸张的倾向。 You poets have such a remarkable tendency for ecstasy and exaggeration.
好的，好的。 Alright, alright.
在革命之后， After the revolution
斯特泽敏斯基曾与康定斯基、夏加尔和马列维奇共事。 Strzeminski worked with Kandinsky, Chagall and Malevich.
曾经是艺术家！现在对我们来说，他只是奸贼和叛徒。 Has-been artists! For us, just renegades and traitors.
他是个讲师，学生们喜爱他。 He is a lecturer, students love him.
我很欣赏您地斯特泽敏斯基的友情， I appreciate your gestures of friendship towards Strzeminski
但请回答我一个问题。 but please answer me one question.
作为艺术家， As an artist,
普齐博斯同志， Comrade Przybos,
您究竟站在谁的立场上？ whose side are you really on?
- 那个，你们的。- “你们的”？ - Well... on yours. - On 'yours'?
还是说，“我们的”。 Or... 'ours'?
请记住，在当今时代，只有一个选择！ Remember that in these times there's only one choice!
但对艺术来说，这意味着死亡。 But in art, that is death.
- 对艺术来说，不同的世界必须相互碰撞。- 但这个世界已经被决定了。 - In art, different worlds must collide. - But the world is already determined.
所有人都在为政治思想阵线奋斗。我们需要什么斯特泽敏斯基呢？ Everyone's fighting on the ideological front. Why would we need Strzeminski?
他所有这些“形式主义”和“先锋艺术”， All these "formalisms" and "avant-gardes" of his,
这些“一元论”和“后像”， these "unisms" and "afterimages".
这都不能建设社会主义。 This does not build socialism.
好了… Right...
您作为大使被困在瑞士太久了。 You've been stuck in Switzerland as our ambassador for too long.
我想，当您参观伟大的苏联绘画展览时， I think you'll better understand the modern world,
你会对现代世界有更好的理解。 when you visit the Great Exhibition of Soviet Painting.
非常具有启示性。 Very enlightening.
还有你，斯特泽敏斯基先生， And you, Mr. Strzeminski,
你知道吗， you know,
你应当被电车撞到！ you should be hit by a tram!
- 早安，教授。- 你好，教授。 - Good morning, Professor. - Hello, Professor.
- 你好。-你好。 - Hello. - Hello.
教授，请您看一下。 Professor, please take a look.
教授， Professor,
这些是我们为了周六YMCA的展览准备的画。 these are our pictures for Saturday's exhibition at the YMCA.
那是我们唯一能展览的地方。 It's the only place we can exhibit.
我想也是… I suppose so...
那您觉得他们怎么样？ But what do you think about them?
每个选择都是好的，因为是你自己的选择。 Every choice is good because it is yours.
寻找你自己的方式，不要像蒙德里安那样画，因为他已经那样画过了。 To find your way, don't paint like Mondrian, because he has already done it.
即使是蒙德里安也不应该像蒙德里安那样画。 Even Mondrian should not paint like Mondrian.
- 也不要像斯特泽敏斯基那样画。- 即使你也不应该像斯特泽敏斯基那样画。 - Don't even paint like Strzeminski. - Even you should not paint like Strzeminski.
完全正确！ You're right there!
教授，你曾经是马列维奇的助手， Professor, you were assistant to Malevich,
我是说，他一定知道他的抽象作品难以被理解， I mean he must have known that his abstractions would be incomprehensible,
难以被人民群众理解。 incomprehensible to people.
马列维奇以几何形式的组合封闭了自己。 Malevich closed himself off in combinations of geometric forms.
你可以欣赏这些作品， You can admire all these works,
但要丢弃他们并寻找你自己的表现形式。 but only to reject them and seek your own form of expression.
但怎么找呢？ But how to find it?
选择权一直都在你手里。 The choice is always up to you.
在艺术和爱中，你只能给予你所拥有的。 In art and love you can only give what you have.
不过这儿有个不同的答案： And here you have a different answer:
我们希望艺术家的绘画能深刻表现现实， We expect artists' paintings to be deeply realistic,
以革命性的和社会主义要求的思想方式呈现这个世界。 showing the world in a revolutionary way, in the spirit of socialist demands.
对每个劳动人民而言，凡是缺乏意识形态或与社会事务无关的艺术 Art that proclaims a lack of ideology or indifference to social issues
基本上是一种对进步持敌意的意识形态艺术， is basically art of an ideology that's hostile to progress, to every working man.
不管过去还是将来，都不会有任何的中立艺术。 There's never been and never will be any neutral art.
这是他们在国家美术节后写的。 That's what they wrote after the National Festival of Fine Arts.
我过去也曾相信，艺术的唯一目的就是为社会变革服务的。 I also used to believe the only purpose of art was to serve social change.
但那是在1919年。 But that was in 1919.
我仍然相信革命。 I still believed in the revolution.
- 所以您现在不赞成现实主义吗？- 这个… - So now you're not in favour of realism? - Well...
我认为画家需要在与自身的和谐之中绘画， I think that you need to paint in harmony with yourself,
如果我无法说服你，那就去干别的吧。 if I haven't convinced you, then do something else.
没有，没有！ No, no!
再见，教授！ Goodbye, Professor!
- 谢谢您，再见。- 再见，教授！ - Thank you, goodbye. - Goodbye, Professor!
再见！ Goodbye!
汉卡？ Hanka?
你在等人。 You were expecting someone.
其他什么人… Somebody else...
你的学生一直过来看你吗？ Your students keep coming to you?
是的。 They are.
妮卡，放回去。 Nika, put it away.
妈妈说他们不知道自己在做什么。 Mom said they don't know what they are doing.
谁们？ Who?
那些开除你的人。 Those who fired you.
你记得这个吗？ You remember that?
妈妈过去总缝制这些东西。 Mom used to sew these.
她拿到市场里卖。 She sold them at the market.
我是为了她拿的，我会给她带到医院。 I took it for her. I'll take it to her at the hospital.
这样她就会想起， So that she remembers
我们曾经历过更糟的时刻。 that it used to be even worse.
“十月革命”引领了社会主义的胜利。 The October Revolution led to the triumph of socialism.
它展示了全世界的人民都能从剥削者手中解放自己 It showed the masses all over the world can free themselves from the exploiters
并且建设一个确保人们普遍发展的新生活。 and build a new life to ensure the universal development of man.
请坐！ Sit!
妮卡·斯特泽敏斯基。 Nika Strzeminska.
跟我来。 Come with me.
竟然在她母亲的葬礼上穿红外套！ At her mother's funeral in a red coat!
我没有别的外套。 I have no other coat.
可以了，够了！ That's it, enough!
回车上去。 Back to the car.
意料之中。 That's what I could expect.
你在这儿干什么？ What are you doing here?
我被安排住进这间公寓。 I have been billeted to this apartment.
那我呢？我要怎么办？ And me? What am I supposed to do?
你不是孤儿，不是吗？你有爸爸。 You're not an orphan, are you? You have a father.
再说，你已经住在…卡罗勒斯卡街道？ Besides, you've already lived on... Karolewska St.?
住在儿童之家。 In the children's home.
这些雕塑是由著名雕塑家创作的， These are sculptures by the famous sculptor,
卡塔尔齐纳·科布罗， Katarzyna Kobro,
我的母亲。 my mother.
我明天会来拿。 I'll pick them up tomorrow.
请不要挪动它们。 Please don't move them.
这就是孩子们观察的方式。 That's the way that children see.
这是我女儿在六岁时画的。 My daughter drew it when she was six.
这是轮廓视觉。 It's contour vision.
每个人以不同的方式看。 Everyone sees differently.
艺术的宗旨就是阐述其在现实中的权利。 The purpose of art is to dictate its rights on reality.
然而，现在他们将其强加给我们。 And yet, they dictate to us.
我会把这些打出来。 I'll type this down.
如果这不会给你带来麻烦的。 If it won't cause you any trouble.
这么说您已经知道了吗，教授？ So you already know, Professor?
知道什么？ About what?
您的《视觉理论》在学校被禁了。 Your "Theory of Vision" is banned at the School.
是的，校长尽其所能地消去你的所有痕迹！ Yes, the rector is doing everything to remove every last trace of you!
我不希望你们冒任何风险。他们会开除你们。 I don't want you to risk anything. They can expel you.
教授！ Professor!
发生了什么？ What's happened?
什么时候？ When?
前天。 The day before yesterday.
- 我为什么不知道？- 她不想让你去葬礼。 - Why didn't I know? - She didn't want you to be at the funeral.
太遗憾了。 Pity.
我可以在她的坟墓上放一束蓝色的花。 I would put blue flowers on her grave.
蓝色的？ Blue ones?
为什么是蓝色？ Why that colour?
她有一双那么湛蓝的眼睛。 She had such blue eyes.
那么美。 Beautiful ones.
你也有。 You also have the same.
我可以呆在这儿吗？ Can I stay here?
解放后，她在格林市场上以60兹罗提买了它。 After the liberation, she bought it at the Green Market for 60 zlotys.
记得吗？ Remember?
她在东正教教堂为你施洗。 She baptized you in an Orthodox church.
那不是我的错。 Not my fault.
然后你在天主教徒的教堂给我洗礼。 Then you christened me in a Catholic one.
所以最终我属于哪个教派？ So which am I in the end?
先生，我们可以开始了吗？ Sir, can we start?
是的，开始吧。 Yes, we can.
女士们先生们，请离开这个房间。 Ladies and gentlemen, please leave the room.
为什么？我才刚刚进来。 But why? I've only just come in.
- 这是我们的命令。请离开。- 这是什么规定？ - These are our orders. Please leave. - But what customs are these?
请按我说的做。进来。 Please do as I say. Come in.
快点，行动！ Hurry up, come on!
你们知道要做什么。 You know what to do.
这边，快点。 This way, faster.
先生，发生了什么？ Sir, what's going on?
对不起，罗萨，这是我收到的命令。 I'm sorry, Roza, these are the orders I got.
立即清除新造型主义之屋！ Liquidate the Neoplastic Room immediately!
新时代要来临了。 New times are coming.
教授，您还记得我吗？ Professor, don't you remember me?
罗萨·萨尔兹曼，对吧？ Roza Saltzman, right?
这么说您的确记得！ So you do remember!
毕竟，你曾是我的学生。 Well, you were my student.
教授，我… Professor, I...
我要走了。 I'm going away for good.
去以色列。 To Israel.
如果您稍微有一点信任我… If you could entrust me with but a few...
您还有那些“给我的朋友，犹太人”的拼贴画吗？ Have you got those collages "To My Friends, Jews"?
教授，我刚刚去艺术博物馆， Professor, I've just been in the Museum of Art,
想去跟您的作品告别，但我没能做到。 to say goodbye to your work, but I could not.
您知道那儿在发生什么吗？ Do you know what is happening there?
新造型主义之屋被清除了。 The Neoplastic Room has been liquidated.
我亲眼所见。 I saw it with my own eyes.
教授… Professor...
您创作的作品应该被安全地保管… What you created should be safe...
并让全世界都能接触到… Then the world will have access to it...
【波兰艺术家与设计师协会——罗兹】 [Association of Polish Artists and Designers - Lodz]
您好，教授。 Hello, Professor.
早上好。 Good morning.
我想要我的预付款和粮票。 I would like to ask for my advance payment and food stamps.
早上好，教授。 Morning, Professor.
什么预付款？ What advance?
这是承包商批准的设计文件。 Here's the documentation for the design approved by the contractor.
在“异国情调”咖啡馆的浅浮雕。 It's a bas-relief for the "Exotic" cafe.
教授，您无权获得任何预付款， Professor, you're not entitled to any advance,
因为委员会尚未批准该设计。 because the commission has not yet approved the design.
可以提供您的证件吗？ May I have your membership ID?
教授，这是无效的，没有盖章。 Professor, it's invalid, it's not stamped.
您一直在非法使用协会的过期证件。 You have been unlawfully using an outdated ID of the Association.
从这个协会创立开始我就是成员了。 I've been a member since it was founded.
我缴纳了我的成员费。 I pay my membership fees.
主席在吗？ The President?
主席今天不在。 The President is not here today.
教授，您在一月份就被开除协会了。 Professor, in January you were excluded from the Association.
我们寄给您了一封附此决定的信，您没收到吗？ We sent you a letter with the decision. Didn't you receive it?
现在，关于那些成员费的问题。 Now, there will be a problem with those fees.
您要写信给主席要求退款。 You'll have to write to the President to request a refund.
您要看一下示例信件吗？ Do you want to see a sample request letter?
教授？ Professor?
吃饭了。 Here you are.
教授，请快点吃，否则又要凉了… Professor, please eat or it will go cold again...
有人以您的名义给协会发了委托书。 Someone has sent the Association's commission after you.
他们在质疑您的作品，但我们将向他们展示您的创作灵感。 They're questioning your work. But we'll show them your inspirations.
它展示的是殖民剥削的那些年代。 That it shows the years of colonial exploitation.
- 我起的标题就是这个。- 康纳德希望这能说服他们。 - That's the title I gave it. - Konrad hopes it'll convince them.
- 你来这儿干嘛？- 让我过去。 - Why are you here? - Let me through.
这里发生了什么？你们在干嘛？ What's going on here? What are you doing?!
作为艺术家协会的委员会，我们决定清除您的作品。 As the commission of the Artists' Association we made the decision to liquidate your work.
听着，斯特泽敏斯基公民。 Listen, citizen Strzeminski.
停！ Stop!
对罗兹市，“异国情调”咖啡厅装饰的审查纪要。 Minutes of the review on the acceptance of the decor of the "Exotic" cafe in Lodz.
先生们，不要毁了它。我可以用幕布把它遮住。 Gentlemen, don't destroy this. I'll cover it with this curtain.
滚开。 Get out of here.
罗兹市，皮奥特康沃斯卡街，“异国情调”咖啡厅… …of the decor of the "Exotic" cafe in Lodz on Piotrkowska St.
- 先生们，这是件艺术品。- 我说了，滚开。 - Gentlemen, it's a work of art. - I said, get out of here.
由杰西·格莱吉尔、罗穆德·杰科夫斯基、 The Commission composed of Jerzy Grygiel, Romuald Jackowski,
耶尔齐·马祖尔齐克和伊格纳西·古特曼组成的委员会作出以下决定： Jerzy Mazurczyk, Ignacy Guttman has decided as follows:
在审查了“异国情调”咖啡厅后， After inspecting the site of the premises of the "Exotic" cafe,
委员会不接受采用彩色浮雕装饰的装饰。 The commission does not accept the decor made with polychrome reliefs.
建议在罗兹波兰艺术家和设计师协会区域委员会的代表监督下 Liquidation of the bas-relief is recommended under the supervision of the representatives
将浅浮雕装饰清除。 of the Regional Board of the Association of Polish Artists and Designers in Lodz.
在委员会看来，该咖啡店的装饰的特征， In the opinion of the review commission, the character of the cafe's decor
与当下从社会主义的现实主义出发的 is contrary to current standards in the arts
艺术标准相悖。签字… resulting from socialist realism. Signed...
胡说！这个项目的标题是“殖民剥削”。 Nonsense! I have entitled this project "Colonial Exploitation".
这是原创的非洲艺术作品…These are original works of African art...
- 这就是这个咖啡店叫“异国风情”的原因。- 一本英文书，嗯？ - That's why the cafe is called "Exotic". - An English book, huh?
帝国主义者也许会喜欢… Imperialists might like it...
教授，您不赞成由您的同事组成的审查委员会。 Professor, you disagree with the review committee made up of your colleagues.
所以您到底站在谁的立场上？ So whose side are you on?
我自己的立场。 On mine.
我自己的。 On mine.
继续干活。 Keep going.
回去干活！ Get back to work!
我得了个A。 I got an A.
波兰语。 In Polish.
我是全班唯一一个。 The only one in the class.
我给你煮点新鲜的。 I'll make you some fresh.
我带来了纸。 I have a ream of paper.
咖啡。 Coffee.
我还顺路买了这个。 I also bought these on the way.
爸爸，你抽太多烟了。 Dad, you smoke too much.
这里又开线了。 It's come loose again.
你知道剪刀在哪儿吗？ Do you know where the scissors are?
圣像在哪儿？ Where is the icon?
在抽屉里。 In the drawer.
我回女生之家了，那里离学校更近。 I'm going back to the girls' home, it's closer to school.
这里没有我呆的地方。 There is no room for me here.
她将来的日子会很辛苦。 She will have a hard life.
颜色，纹理， Contrasts of colours, of textures,
和形状不协调的对比 the clash of shapes,
将时间概念引入图像领域。 they bring time into the area of the image.
慢一点，教授。 Slower, Professor.
每一个画面结构中 In each composition
每个部分都具有整体意识。 each part has an awareness of the whole.
…都具有… ...has an awareness of...
请进。 Come in.
朱利安！ Julian!
欢迎！ Welcome!
抱歉，我们今天就干到这儿吧。 Sorry, we're done for today.
- 这就是那位著名诗人？- 是的。 - This is the famous poet? - Yes.
您好，我是汉娜·鲍罗斯卡。 How do you do? Hanna Borowska.
我是朱利安。 Julian.
- 我帮您拿那个。- 万分感谢。 - Let me take that for you. - Thank you very much.
原谅我，我咖啡喝完了。 Forgive me, I've run out of coffee.
弗拉迪斯瓦夫… Wladyslaw...
拿着。 Here you are.
我了解你能喝掉多少咖啡。 I know how much coffee you use.
不如我帮你做点咖啡？ Why don't I make you some coffee?
谢谢你。 Thank you.
你有忠诚的， You have your faithful students,
一直记念你的学生们。 who remember about you.
年轻人总是与现存的世界进行对抗。 Young people are always against the existing world.
弗拉迪斯瓦夫… Wladyslaw...
我说这话是带着嫉妒的。 I say this with envy.
尽管这么多年你的艺术一直在变， Although over all these years your art has changed,
你却仍是你自己。 you're still yourself.
我的大多数诗都是为了上层人士写的，他们以“过于暧昧”的原因拒绝出版。 I write most of my poetry for the drawer, they won't print it as it's 'too vague'.
他们赞扬都是些拍马屁的。 They praise the ones who suck up.
对真正的艺术家却不置一词。 They're silent about the real artists.
我跟米罗兹聊过。 I spoke about this with Milosz.
他也认为， He also believes that
一个不能表达自我的完整声音的艺术家，不如选择沉默。 an artist who can't speak with a full voice should be silent.
艺术家能以两种方式被杀死： Artists can be killed in two ways:
过度受捧，或籍籍无名。 either by talking about them too much or not at all.
我党是 The Party is the force
带领我们国家走出损失，走出落后的力量。 that has led our country out of the ruins and economic backwardness.
它是民族的脊梁和大脑。 It is the backbone and the brain of the nation.
我党有力量完成波兰的革命变化， The Party had the power to make such revolutionary changes in Poland
全是因为它是百万人民的 only because it is the expression and the organiser...
- 咖啡来了。- 最纯粹的愿望的表达者和组织者。 - Coffee. - ...of the purest will of millions.
- 再见。- 再见。 - Goodbye. - Goodbye.
从独立人士 This is shown
以及有不同派别的人们 by the growing respect for the Party
- 对党的日益尊重中 - 喝吧。 - among independents and even among people... - Let's drink.
充分地表明了这一点。 …shaped differently.
像过去我们不需要说悄悄话的日子里那样。 Like in the old days, when we didn't need to whisper.
许多波兰人可能从未学习过任何马克思主义著作。 Many Poles may never study any Marxist work.
但想必现在所有人都知道里， But absolutely everyone now knows,
凡是我党承诺的必将实现， that what the Party promises always comes true
凡是我党引导的必定正确。 and that what the Party is aiming at is right.
- 教授… - 下午好。 - Professor... - Good afternoon.
教授，罗曼可以上来吗？ Professor, can Roman come up here?
罗曼？ Roman?
他在楼下等着您的决定。 He's waiting downstairs for your decision.
他觉得自己个叛徒。 He feels like a traitor.
- 他们把他开除了。- 为什么？ - They kicked him out of the school. - What for?
他写他爸爸是个清洁工，但其实他曾经是总督。 He wrote his father was a janitor, but he was really a governor.
再加上偷盗打字机的行为。 They even threw in the theft of the typewriter.
- 你没有还回去？- 我还了，但你知道这是怎么回事。 - You didn't give it back? - I did, but you know how it is.
您好，教授。 Hello, Professor.
我们有好消息。 We have good news.
有个工作给您。 There's work for you.
在所学校？ At a school?
在波兰苏维埃社会主义合作社。 At the PSS Co-op.
- 但为什么是那儿？- 因为他们在找装修设计师。 - But why there? - Because they're looking for decorators.
而且我问的其他地方他们都知道… 妈的！ And everywhere I asked they know... Damn!
他们知道你可能有问题，但在那儿你的名字没有任何意义。 They know they may have problems with you. But there your name doesn't mean anything.
我不是那个意思… I didn't mean... that...
好的，我愿意试试。 Alright, I'll try.
这就是我们提过的那位。 As we agreed.
市政委员会迫使我们雇用退伍军人——最好还是伤残军人。 The Municipal Committee is pushing us to hire veterans, even better, disabled ones.
- 当局正在促进人道主义精神。- 那他非常合适。 - The authorities are promoting humanism. - So he fits perfectly.
他失去了一个手臂一条腿，他还拿得住笔刷。 He's got an arm and leg missing and he can handle a paintbrush.
而且他在业界中是最棒的。 And he's the best in the business.
是的。 Right.
你的胳膊和腿在哪儿没的？战争期间？ Where did you lose your arm and leg? During the war?
是的。 Yes.
但是在一战的时候。 But the first one.
请坐吧。 Take a seat.
你要怎么做工？只用一只手？ How will you do it? With just one hand?
我可以向您展示我的作品。 I can present my work.
罗曼为你担保了。 Roman has vouched for you.
他说你对这个工作有一些想法… He said that you have some idea about this work...
没错。 That's right.
好吧，我不确定… Well, I don't know...
您不确定什么？ What don't you know?
- 你看起来非常合适。- 确实如此。 - You seem to fit perfectly... - Exactly.
但，但如果… But... but if...
但是如果…开除一个残疾人就更难了… But what if... It's harder to fire an invalid...
把这个填好。 Fill this in.
在薪资办公室你可以领取粮票和预付款。 At the payroll office you can get your food stamps and an advance.
只是别再办公室周围闲逛… Just don't hang around the office here...
艺术不是装饰。 Art isn't meant to be decoration.
艺术是发现。 Art is meant to be a discovery.
接受艺术的过程就是积累视觉意识的过程。 The process of receiving art is the process of accumulating visual awareness.
一个人只能看到自己知晓的事物， A person really only sees what he is aware of,
但视觉意识却不能自动发展。 but visual awareness does not develop by itself automatically.
这个有了吗？ Have we got that?
- 视觉的… - 对。 - Of vision... - Yes.
我们没有得到完全成形和不变的视觉。 We did not receive our vision fully-formed and unchanging.
等一下！ Hang on, wait!
在这儿。 It's here.
我们的眼睛是因漫长的生物进化的结果形成的， Our eye was formed as a result of a long biological evolution,
从低级的形式进化成现在这样。 from lower quality forms to what it is now.
请问一下。 Excuse me.
哪里可以找到斯特泽敏斯基先生？ Where can I find Mr Strzeminski?
- 那是谁？他在这儿做什么工作？- 他是个艺术家。 - And who is he? What does he do here? - He's an artist.
- 这儿不是马戏团，没有艺术家。- 他是个画师。 - This isn't a circus, no artists here. - He's a painter.
在那边，工作室里。 Over there, in the studio.
你怎么找到我的？ How did you find me?
汉卡小姐告诉我的。 Miss Hanka told me.
她有公寓钥匙？ Does she have a key?
为什么？ Why?
学生们在那里帮我完成我的书。 The students are working on my book there.
你能等我吗？ Will you wait for me?
- 你从哪儿得来的？- 学校给我们的… - Where did you get it? - The school gave it to us...
我要穿着它参加游行。 I have to wear it for the march.
但之后我必须还回去。 But then I have to give it back.
我要去参加一个聚会… I'm going for a get-together...
你知道吗爸爸，我将负责举横幅。 You know, Dad, I'm going to carry the banner.
一起来吗？ Are you coming?
这就是红色罗兹如何庆祝五一劳动节。 That's how Red Lodz celebrates May Day.
手牵手， Arm in arm,
排成排，超过三十万来自工厂和机构的劳动者， row upon row, over 300 thousand employees of factories and institutions,
自豪地贯彻他们的责任义务。 proud to carry out their May Day duties.
来自纺织厂的男工和女工， Men and women from textile plants,
铁路工人， railwaymen,
运动员， sportspeople,
来自全区的农民们， peasants from all over the region
还有科学家和艺术家们， as well as scientists and artists,
市政厅文员，医生，教师， town hall clerks, doctors, teachers
一起展示了他们愿意为和平和繁荣奋斗的愿望。 all together showing their willingness to fight for peace and prosperity.
在他们头顶，红旗和红白旗飘扬。 Above their heads, red flags and red-and-white flags.
在他们为社会解放而战的伟大前辈们—— Watched over by the portraits of Dzerzhinsky, Marchlewski, Kasprzak, Warynski,
捷尔任斯基，马尔凯夫斯基，卡斯普扎克，沃林斯基的画像的注视之下。 their great predecessors in the battle for social liberation.
斯特泽敏斯基先生… Mr Strzemienski...
- 斯特泽敏斯基。- 薪资办公室找你。 - Strzeminski. - You're wanted at payroll.
我很抱歉，但是我必须立刻强迫你离开。 I'm sorry, but I am forced to let you go with immediate effect.
行… Yes...
请坐。 Please, do sit down.
这不是你的错，不过… It's not your fault. However...
我可以问为什么吗？ May I ask why?
我有哪里做错了吗？ I did something wrong?
不，您没做错任何事… No, you did nothing wrong...
相反，您是工作室里最好的工人。 On the contrary, you were the best worker in the studio.
其他人甚至为了得到您的工作而打架。 The others were even fighting over your work.
波兰铁路部门还想把想从我们这儿调过去。 Polish Railways wanted to take you from us permanently.
但很不幸，我们收到一封匿名信， But unfortunately we got an anonymous letter,
信上说您没有作为艺术家的审核证件。 that you don't have the papers to be an artist.
我们和波兰艺术家与设计师协会核对了一下。 We checked at the Association of Polish Artists and Designers.
事实证明，您的特权已被撤销。 And indeed your privileges have been revoked.
现在是我们的责任。给您。 It's our obligation now. Here you go.
钱无所谓，但我再也没有粮票了。 Never mind the money, but I won't have the food stamps.
您没听说吗？ Haven't you heard?
在共产主义社会，没有工作的人就没有食物… In Communism, those who don't work shall not eat...
我很好奇他们会怎么办… I wonder what will happen with them...
我会搞清楚的。 I Will find out.
我个人很欣赏您的作品。 Personally, I admire your work.
那个新造型主义之屋… That Neoplastic Room...
您真的见到过马克·夏加尔？ Have you really met Marc Chagall?
我去工作室拿我的东西。 I'll go to the studio to get my things.
我在这里等你。 I'll wait here.
- 你好。- 你好。 - Hello. - Hello.
我可以买些油画颜料和蛋彩画颜料吗？ Can I have some oils and tempera?
没问题。 Right away.
油画颜料是80块。 We sell oils at 80.
不，那就不要蛋彩画颜料了。 No, so tempera then, please.
蛋彩画颜料卖12块。 We have tempera at 12.
但我们也有8块的。 But we also have some at 8.
从那些8块的颜料里选，有深赭色、 From those at 8, can I have burnt sienna,
土黄色、赭石黄、 bright ochre, golden ochre,
天蓝色、 Parisian blue,
还有钛白色吗？ and titanium white?
好的。 Right.
天蓝色… Parisian blue...
可以看一下您的协会证件吗？ Can I see your membership ID, please?
我没有证件。 I don't have one.
那我不能卖给你。 Then I can't sell you any paints.
他们是疯了吗？我在这里买颜料好多年了！ Have they gone crazy? I've been buying here for years!
先生，这里是艺术家商店，而您没有艺术家证件。 Sir, this is a shop for artists and you don't have the ID.
现在我们有钱看电影了。 Now we have some for the cinema.
“弗拉基米尔·伊里奇·列宁1917年在普吉洛夫斯基工厂工人大会上演讲” "Vladimir Ilyich Lenin Speaks At the Putiiov Metalworks in 1917",
这是艺术家谢罗夫，波德科维林和别拉耶夫的绘画。 a painting by artists Serov, Podkovyrin and Belayev.
列宁格勒艺术家巴巴斯克的“斯莫尔尼革命总部”。 "The Smolny Revolution Headquarters" by Leningrad artist Babasuk.
“为了苏维埃统治”来自莫斯科的雕塑家费迪什·克兰季耶夫斯基。 "For the Rule of the Soviets" called his work sculptor Faidish-Krandievski from Moscow.
艺术家拉基季托夫的作品“新公寓”。 "The New Apartment" by artist Laktionov.
年轻画家皮基瑟维奇的石版画系列—— A series of lithographs by young artist Pinkisevitch-
- 我们做了个糟糕的选择。- “资本主义掠夺者统治的地方。” - We made a bad choice. - "Where the Capitalist Predators Rule."
“在纽约” "In New York."
“在西德” "In West Germany."
“印度的道路上” "On the Roads of India. "
我们为什么要在电影开始前离开？ Why did we leave before the movie?
你一直都喜欢看电影。 You always liked the cinema.
你需要新鞋子。 You need new shoes.
- 我给你钱。- 不用。 - I'll give you the money. - There's no need.
我们在女孩之家会得到新鞋子，他们答应我们的。 We'll get new shoes at the girls' home. They promised us.
先生… Sir...
您不用排队。 You don't need to queue.
您要什么？ And for you?
100克那个。 100g of that.
粮票？ And the stamps?
- 我没有粮票… - 下一位！ - I haven't got any...- Next!
- 我6个月没有工作了… - 下一位！ - I haven't worked for 6 months... - Next!
要什么？ Yes?
- 内脏杂碎还有吗？- 还有。 - Any giblets left? - Yes.
要200克。 200g.
我能进来吗？ May I?
- 已经快到午夜了… - 适合反叛者的时间。 - It's almost midnight... - Time for conspirators.
进来吧… Come in...
你要离开吗？ Are you going away?
你难道不觉得我是要搬进来吗，教授？ Didn't you think I was moving in, Professor?
等一下… For a moment...
- 有那么奇怪吗？- 简直荒谬。 - And would that be so strange? - Absurd.
- 所以你没有还回去？- 没有。 - So you haven't returned it? - No.
看在上帝的份上，为什么不？罗曼因为这件事被学校开除了。 Why not, for God's sake? Roman was thrown out of school for that.
同时作为战前总督的儿子被开除了党籍。 Also thrown out of the Party as the son of a pre-war governor.
事实上，作为我的同伙，他知道这一切。 In fact, as my accomplice he knew about everything.
这对他有好处，他能成为一个体面人，而不是一个红色垃圾袋。 It was good for him, he may turn out a decent person, and not a red dirtbag.
但是为什么？ But why?
因为他尊重并崇拜您超过其他的一切， Because he respects and admires you above all else
而我要完成您一生的作品。 and I have to complete your life's work.
我爱你，从在写真旅行见到你的那一刻开始。 I love you, ever since I saw you on that field trip.
好吧… Well...
我本来以为事情不会更糟了。 And I thought that it couldn't get any worse.
那么，斯特泽敏斯基先生？ So, Mr. Strzeminski?
我们又见面了。 We meet again.
是你叫我来的。 You called me here.
斯特泽敏斯基先生… Mr Strzeminski...
我们之前说过，你正站在岔路口 we agreed once that you're standing at a crossroads
而你不能再站在那里了。 and that you cannot stay there any longer.
我们逮捕了你的那位学生。 We have arrested that student of yours.
那台打字机也被用来制造反政府印刷品。 That typewriter was also used for anti-government leaflets.
我向你保证，我们有各种办法能让她知无不言。 I assure you that we have ways of making her tell us everything.
你可以帮助她， You can help her,
而我能帮助你。 and I can help you.
我可以为你提供一个在学校的工作室， I will provide you with a studio in the School,
为你提供创作、展览和出版所需的一切条件。 conditions for creative work, exhibitions and publications.
确保你的生计。 Existence.
你可以照顾好你的女儿。You'll take care of your daughter.
而你要提供的是… And what you have to offer...
是什么？ what is it?
我不知道… I don't know...
加上之前两个月您欠的， With the last two months which you owe,
一共是1400块。 altogether it's 1,400.
对不起，但我没有任何… I'm sorry, but I don't have any...
当你有钱的时候，我们再谈。 When you pay up, then we'll talk.
我可不视金钱如粪土，先生。 I don't shit money, sir.
他这是喝太多了。 He's had a few too many.
先生？ Sir?
你还好吗？ Are you alright?
你需要帮助吗？ Do you need some help?
先生？ Sir?
我去叫救护车！ I'll call an ambulance!
- 电话在哪儿？- 那儿。 - Where's the phone? - There.
不好意思，我需要叫救护车。 Excuse me, I need to call an ambulance.
您用吧。 Go ahead.
去酒鬼拘留所？ To the drunk tank?
去医院，这很严重。 To the hospital, it's serious.
别忘了拐杖！ Don't forget the crutches!
朱利安… Julian...
我剩下的日子不多了。我要死了。 My days are numbered. I'm dying.
我还想多活几个月来完成《视觉理论》… I'd like to have a few more months to complete the "Theory of Vision"...
几个星期… A couple of weeks...
这样我就可以把事情抛之脑后了… So I can leave something behind...
你来了真好… It's good you're here...
来，给我看看你的鞋子。 Show me your shoes. Come on.
第一只。 First one.
第二只。 Second one.
它们没有破洞吗？ They don't leak?
他看到鞋子的时候 When he saw those shoes,
- 是真的很开心！- 一个朋友借给我用来探望他的。 - he was so glad! - A friend lent me those for the visit.
还有这裙子。 And the dress.
这样他就不会担心我了… So he wouldn't worry about me...
但先生，不要告诉他这些。 But don't tell him that, sir.
医生！ Doctor!
我这有雷米封。 I've got some Rimifon.
你怎么弄到的？ How did you get it?
- 这在这里拿不到… - 我去了瑞士。 - It's not available here... - I visit Switzerland.
我们会用的… We'll use it...
但是… but...
恐怕太晚了… I'm afraid it's too late for that...
不好意思。 Excuse me.
你在干什么？ What are you doing?
- 你必须待着… - 不。 - You have to stay... - No.
不是现在…还不行。 Not now... Not yet.
教授，您患有晚期结核病。 这不是开玩笑。 Professor, you have advanced tuberculosis. It's no joke.
我有重要的事情要做… I have something important to do...
跟我一起住吧。 Move in with me.
你住的地方离学校太远了。 From your place it's too far.
卡罗勒斯卡街到学校更近。 From Karolewska it's closer to school.
不会有人再来拜访我了。 Nobody visits me anymore.
1945年第一次展览你给我的67幅画 The 67 paintings that you gave me in 1945 for the first exhibition
都在这里保存。 are here in storage.
我把这些也放在这。 I will put these here too.
它们会很安全。 They will be safe.
安全，但没有人能看到它们… Safe, but no one will see them here...
先生，我愿意接受任何工作… Sir, I will take any job...
我们总要想办法生存… We have to live somehow...
弗拉迪斯瓦夫先生，我知道你的情况，但是… Mr. Wladyslaw, I know the situation, but...
我没办法。 I can't.
我很愿意，但我没办法… I'd love to, but I can't...
请相信我，我真的没办法。 Please believe me. I can't.
早上好。 Good morning.
- 你带谁过来了？- 给您。 - Who have you sent me here? - Here you are.
他做不了这个！ But he isn't up to it!
- 女士，他是专家。- 专家！ - Madam, he's a specialist. - A specialist!
- 没有腿，没有胳膊，还专家？- 拜托！ - No leg, no arm, a specialist! - Please!
专家！大概是瘸腿专家吧！ A specialist! In limping maybe!
1952年12月26日 26 December 1952
有事吗？ Yes?
我可以在这里待一会儿吗？ Can I stay here for a while?
怎么了，孩子？ What is it, child?
我的爸爸在这张床上去世了。 My father died on this bed.
他的名字是弗拉迪斯瓦夫·斯特泽敏斯基。 His name was Wladyslaw Strzeminski.
当然可以。 Of course.
完 Fin.
翻译、校对：太凉 微博：杀手太凉